Learn faster perform better book

Easy to digest way So many invaluable suggestions and strategies I believe I ll be assigning this to my students for years to come 0197680062 Five stars if I can get some of these ideas to work for me 0197680062 All hail Molly Gebrian and her incredible brain 0197680062 One of the greatest books on learning and practicing Tons of research evidence and ideas that I m so excited to use now Every musician should pick this book up and give it a read if you don t want to continue wasting your time in the practice room 0197680062 should be standard reading for every music school they should have a whole course dedicated to this 0197680062 As a scientifically minded person with a musical hobby.

Learn faster perform betterjourney

Practicing is an essential part of every musician s life but we are rarely taught how to practice in the most effective and efficient way Many of us find ourselves frustrated when we sound good in the practice room only to embarrass ourselves on stage or in front of our teachers We feel overwhelmed by the amount of music we have to learn unsure how to balance everything Playing from memory can feel terrifying and an insurmountable challenge and overcoming bad habits can seem impossible at times Molly Gebrian applies the science of learning and memory to practicing and performing giving musicians the tools to learn music effectively and experience greater confidence on stage Researchers working in the fields of cognitive psychology and neuroscience have discovered many important principles about how the brain learns new information retains this information both short and long term and how to make this learning reliable in high pressure situations like performances Musicians often choose practice strategies that don t align well with the optimal ways in which the brain learns leading to frustration while practicing and inconsistency in performance The author offers a practical guide using accessible language for non scientists and non academics to help musicians get out of their practicing by applying this research Gebrian starts with general principles of learning and how the brain works and then progresses through increasingly specific topics Throughout the book the science behind the various topics is explained in layman s terms accompanied by practical actionable advice that can be implemented immediately to give musicians of all levels better tools while practicing and greater confidence on stage Learn Faster Perform Better A Musician s Guide to the Neuroscience of PracticingThis was so much useful than The Practice Revolution There s lots of good and applicable advice in here As a physician scientist I wasn t always convinced by the graphs eg when differences between groups were small with no statistics shown but that doesn t really matter to me What matters is the excellent advice It s already transforming the way I practice The advice on mental practicing was also really nice I have ME so thinking can in fact be harmful But mental practice really helps me to get the most out of my time behind my harp It was nice to find lots of tips to refine my mental practice 0197680062 One of the best books on brain friendly practicing I have ever read It perfectly condenses all the noteworthy research in a concise this book was right up my street It did not disappoint There are many fascinating studies that can inform music practice and Molly has done a brilliant job of bringing it all together in this book The book is extremely well written and thought through with a good balance of detail on the studies themselves and pulling out what it means for music practice with lots of practical examples. Learn faster perform betterkarma It seems to be aimed at students in the classical tradition but anyone learning an instrument in any genre can gain helpful insights and ideas to help their practice 0197680062 This book deserves to be an essential read for all musicians transitioning from high school to university or hopefully before. Learn faster perform better pdf online When you arrive at a postsecondary institution the comparison game inevitably begins You see people practicing 8 hours folks who only practice with metronomes who have tuners in front of them every single rehearsal Sometimes you adopt these methods because those musicians are people who you admire or think you need to compete with You would think that in doing these things you will become a better musician This book dispels so many common practice habits and myths adopted by university students It provides clear advice with how to go about practicing different skills and EXPLAINS why these methods work for your brain I am personally lucky to have worked with educators who have used many of the strategies described in this book but having the underlying information of why it works is the piece of the puzzle that always seemed to be missing for me Gebrian draws on a lot of sports neuroscience but the applications of these findings go beyond music and sport even providing helpful tips for studying academic subjects If every music student read this book even once I would envision a culture of music making that is much intentional that aligns with our natural cycles of work and rest and that would instill passion and encouragement into our purpose as artists 0197680062 This seems to be an invaluable guide for making your practice sessions effective and efficient with the end result of playing better Each strategy is backed with neuroscience studies and practical applications of each study are provided Looking forward to putting these strategies to the test 0197680062 I ve studied much of what has been written about the science of learning and human potential and this has by far been the best in terms of practical application to practicing music Well organized a great balance between research and the practice and entertaining to boot Especially important is that Dr Gebrian has experimented with and tested the techniques for years both in her own and her students studies There is so much here I especially appreciate the appendices that summarize every technique presented and offer other strategies for multiple types of instruments Dr Gebrian herself acknowledges the volume of information may be a bit overwhelming and offers advice on how to put it all together Her final motivating words that there is value to testing even a few of the ideas and slowly adding to them was most comforting Well beyond a read once put on the shelf book it is clearly designed for regular reference for its readers to continually improve the efficiency and effectiveness of their musical practice 0197680062